Description
Strymon BigSky Multidimensional Reverb Pedal
Strymon BigSky – Plug into BigSky and instantly lift your sound into the stratosphere. The world below you fades into the distance, and you’re elevated into a glow of lush, glorious, radiant reverbs.
To create a reverb experience as natural, beautiful, and immersive as the Strymon BigSky required tremendous feats of sound engineering and artistic imagination. Using the fundamentals of acoustical science as our beacon, we carefully studied and scientifically analyzed reverb technology from the past fifty years. We faithfully captured the essence of these classic sounds, and forged ahead to dream up our vision of reverbs from the future.
Go where no reverb has gone before.
Feel the mechanical tension of the Spring reverbs. Hear the floating particles of the Cloud machine. Defy the laws of physics with the Nonlinear reverbs. Unleash the multi-head reverberations of the Magneto machine. Strymon BigSky gives you twelve studio-class reverb machines, each with simple yet powerful controls.Diffused reflections and slower-building density are the hallmarks of this beautiful and versatile reverb. The Concert size is well-balanced, spacious and warm, while the Arena size is huge, enveloping and booming.
Simple Yet Powerful Controls
We’ve gone to extraordinarily lengths to craft Strymon BigSky to empower your creativity without getting in the way of it. We’ve hand-picked the most essential reverb controls, and tailored their range and functionality so that sounds can be created effortlessly without extended tweaking.
More
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- True Bypass (electromechanical relay switching)
- High quality, tranparent Analog Buffered Bypass mode
- +/- 3dB Boost/Cut, saveable per preset
- Optional Kill Dry mode mutes dry signal, for use in parallel effects loops
- Dimensions: 6.75″ (171mm) wide, 5.1″ (130mm) deep
- Designed and Built in the USA
Processor
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- Super high performance DSP in a compact form factor
- 32-bit floating point processing
- 366MHz SIMD SHARC processor core, capable of 2.4 Gigaflops peak performance
Audio Quality
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- Analog dry path for a zero latency dry signal that is never converted to digital
- Premium analog front end and output section
- Ultra low noise, high performance 24-bit 96kHz A/D and D/A converters
- 115dB typical signal to noise at 50% wet mix (120db at 100% dry mix, 109dB at 100% wet mix)
- 20Hz to 20kHz frequency response
- +8dBu maximum input level easily handles instrument and line signals
Ins & Outs
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- Stereo input and output
- Expression pedal input with selectable control over any knob or combination of knobs, saveable per preset (also configurable as external tap input)
- MIDI input and output
- Included 9V center-negative power supply (300mA minimum required)
Hardware
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- Three rugged metal footswitches for preset selection and effect bypass
- LED display for preset info, reverb decay time, and extended parameter control
- Multi-color preset LEDs (green for active preset, amber for edited preset)
- Full MIDI implementation allows extended control for those with more complex rigs
- Sturdy and lightweight light blue anodized aluminum chassis, with laser-etched artwork
- Durable black anodized aluminum knobs
- Studio-grade audio input and output jacks
Research
“Project BigSky” started as a journey of diligent research. We studied, reviewed and examined physical reverb units, algorithm architectures, academic papers and programming techniques from the past five decades. Within BigSky, we utilized traditional reverb elements such as feedback-delay networks, allpass-delay-filter loops, Schroeder reverb sections, multi-tapped delay-lines, as well as all-new reverb elements that we developed along the way. The goal was to find the best starting point for each reverb sound, and then elevate it into the 21st century.
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